I have a thing for movies - mostly old movies. I like new films as well, but none as much as these. there just something about a classic (and the ability to tell a story without having to resort of graphic sex or violence) that works for me. Therefore, as an educational effort on this website, I've decided to include a page on My Favorite Flicks.

Below are some of my favorite films (In no particular order) with a brief description of why I like them.


Breakfast at Tiffany's:
Truman Capote called this movie "A mawkish Valentine to Audrey Hepburn", but knowing him, that was probably a compliment. Mickey Rooney's portrayal of the Asian photographer SUCKS, but other than that, it's pure delight. I especially love the cocktail party scene.

American Beauty:
I thought this movie was amazing. Growing up in the suburbs, as I did, I knew people like this.

The Big Sleep:
The Best Noir of them all, the saga of Philip Marlowe and the Beautiful Sternwood sisters is timeless. The movie is good, but the book is even better.

Casablanca:
Rick and Ilsa. Here's looking at them, kid. This story of romance and self-sacrifice in French Morrocco is poignant and fresh, even after fifty years. Play it as many times as you want, Sam.

Who's Afraid of Virginia Wolf?:
George and Martha: Sad, Sad, Sad - but also Good, Good, Good. Watch Liz and Dick tear each other apart while Sandy Dennis and George Segal watch. Fabulous!

Dr. Strangelove or: How I Learned to Stop Worrying and Love The Bomb:
A very black comedy on the cold war. Everytime I watch it, I see something new.

Guess Who's Coming to Dinner:
This movie is really silly and earnest, and way too full of White Liberal prostlezing, but dammit, I like it anyway - especially the go-go dancing delivery boy.

Faster, Pussycat - Kill! Kill!:
Speaking of GoGo dancers, Three of them go looking for trouble (and find it) in the Southern California desert in this Russ Meyer classic. The opening sequence is probably the most amazing ever filmed.

Cat on a Hot Tin Roof:
This 1950's adaptation of the Tennessee Williams play about repressed homosexuality is fabulous, primarilly because of the efforts of Burl Ives, Paul Newman, Judith Anderson and, of course, the Fabulous Miss Taylor.

The Manchurian Candidate:
Long before "Murder, She Wrote", Angela Landsbury was the queen of the evil mothers. This is an excellent political/psychological thriller that should not be missed.

Valley of the Dolls:
Patty, Patty, Patty - you're along way from Brooklyn Heights and your refined identical cousin Kathy. This adaptation of the trashy Jaqueline Suzanne novel was made on a shoestring (and shows) but still works. A definite guilty pleasure

Rebecca:
A Hitchcock classic about a young bride haunted by the memory of her husband's late wife. Judith Anderson is magnificent as the evil housekeeper.

The Marriage Go Round:
A fun and silly movie with Susan Hayward, James Mason and Julie Newmar. The plot is unimportant. The real star is Hayward and Mason's fabulous MCM house.

A Star is Born:
We're talking the 1954 version here - one of Judy's last great films. You gotta love her. The last ten minutes or so are some of her best acting ever.

Bachelor in Paradise:
A silly Bob Hope vehicle, which features some great view of life in Southern California in the 50's.

His Girl Friday:
Rosiland Russel and Carey Grant in a wonderful romantic comedy about love and competition between a man and woman. Timeless.

Desk Set:
Katherine Hepburn and Spencer Tracy butt heads in the research office of a 1950's television network. He's a systems developer from IBM, there to install a mainframe - she's the starchy librarian type who doesn't like technology. Check out their wonderfully drunk office Christmas Party.

The Best of Everything:
Three girls come to 1950's New York to find love and fulfillment in a publishing office, and instead find sexual harrassment, obsessive compulsion, and Joan Crawford as a bitter single career woman.

Polyester:
The trials and tribulations of Francine Fishpaw, the put-upon Baltimore housewife. The Divine Divine stars in this fabulous comedy.

Hairspray:
Another John Waters classic, staring Divine (In her last role) as the wonderful Edna Turnblad in this comedy about teenage love and race relations in 1960's Baltimore. Deborah Harry turns in a fabulous performance as Mrs. Van Tussel, with the greatest hairdo ever recorded on film.

The Women:
A classic All-Woman comedy about a group of upper class society women in 1930's New York, and the men who don't necessarily love them. The one-liners fly fast and furious - these kittens have claws!

Meet Me in St. Louis:
A Vincent Minnelli musical about a family in 1905 St. Louis. Probably the best Judy Garland movie - it caputures her before she was destroyed by the Hollywood fame machine and her own personal demons.

The Graduate:
Another great Southern California Lifestyle film, this one filmed in the '60's. Ann Bancroft is great as the coniving Mrs. Robinson.

All About Eve:
A wonderful comedy-drama about ambition in the theatre. Bette Davis is magnificent as the aging star being courted by an evil upstart.

To Have and Have Not:
A great tale of adventure set in the Caribean directly before World War II. This move introduces the beautiful Lauren Bacall playing opposite Humphrey Bogart (Whom she later married) Her sultry sensuality is enough to make us want to call in sick and hole up with her. She knows how to whistle: She just puts her lips together and......blows.

The Hudsucker Proxy:
A wonderful, underated comedy about the intrigues of a large corporation in the 1950's. Jennifer Jason Leigh is fabulous as the girl reporter who falls for the new CEO.

The Stepford Wives:
Something's fishy in the town of Stepford, and Katharine Ross and Paula Prentiss have to figure out what.

 

Enough about these damn old movies - let's go back to me!